Japanese Pornographic Animation Essay Example for Free

Japanese Pornographic biography EssaySusan J. Napiers The Frenzy of Metamorphosis The Body in Japanese Pornographic Animation describes how both pistillate and phallic bodies are depicted in Japanese animated pornography. Napier explains how priapic dominance everyplace women is represent in the different animated subscribe tos she has cited, where gender-specific constituents are usually restored in the end of each film or series.For ideal, the effeminate lead character in the animated film Wicked City is portrayed as a better warrior than the male lead character, but in the end she assumes the traditionalistic role of damsel-in-distress and mother of the child that would bring peace to their city and its parallel, the Black World. Napier further highlights the often problematic and mingled depiction of male-female relationships in these films. The fantasy behind every transformation a male or female characters body undergoes in the animated film subliminally illust rates underlying cultural backgrounds, as easy as frustrations, of the Japanese.In these films, the female characters are commonly fantastically proportioned with massive breasts and hips, and tiny waists, while the male characters are similarly fantastically sexually endowed and lustful. Such depictions attend to reflect heavy westerly influences. The metamorphosis of female bodies is described by Napier as controlled in that they are rather reflective of traditional roles and perceptions towards females in Japanese culture. Meanwhile, the metamorphosis of male bodies is described as more of demonic dominance and diverting frustration. While they are subversive to the patriarchal culture of Japan, male bodies are portrayed in the confrontation of how female bodies are portrayed. Male bodies are portrayed as either grotesquely demonic-looking or preposterously child-like. Napier maintains that males do not always come out as the dominant character in Japanese animated pornogra phy. I find this rather arguable as most if not all of the examples highlighted in the reading suggest the front line of a male figure whose role is either to dominate the female character or to support it.Culturally, Japanese are of control-minded and patriarchal culture where every female is traditionally submissive to a male partner. The presence of a male character, no matter how comic or demonic as depicted in the film, end be attributed to an attempt to balance out the enactment of powers where the protagonist is a female hence, whether the dominant role belongs to the male or female remains problematic.The presence of the male support character suggests that female characters cannot achieve great power over her adversary without him. An example of this is La Blue Girl where the lead character, a female ninja, is supported by her male ninja pal who is portrayed as constantly lusting after her. Napier also cites that male orgasms are depicted far little than male frustrati ons in these films because orgasms are viewed as a loss of patriarchal control.Patriarchal control can also be seen in the way that female orgasms are almost always depicted in these films, regardless of whether these orgasms are the result of traditional lovemaking or of sexual torture. I find that this is because of socio-cultural factors disposed(p) the changes in roles of men and women in modern Japanese society. The Japanese male ego seems to be affect by this change so much that their frustration is reflected even in their animated pornographic films.Hence, Japanese animated pornography tend to portray female characters as young and non-threatening (high school girls, commonly) while male characters are either comically lustful (young or old voyeurs) or powerfully demonic. Many of the surd male characters in Japanese animated pornography are depicted as demons, making them appear threatening and ultimately powerful over the females. Even if the female lead characters are ab le to reduce these demonic male antagonists at the end of the film, these females are still portrayed as traditionally conquerable to sexual violence.