How Films Change Perception Essay

There are many shipway in which movies or claims whitethorn become art. Art bed be expressed through and through color, angles, fibre development, plot, even scenery or all of these combined. In the movie Il Postino there is a certain art of the film which allows the viewer to become sever of the story, to unhorse in love as the components fall in love, through the expression of words and moments.This paper will focus on how movies or films economic aid in changing a persons perspective through the use of portions, plot, scenery, camera angles, trickle use, and the overall ambience of a film, mainly focusing on Il Postino. A film is a gateway by which the viewing audience is immersed in another persons life which includes their family, their culture, and their environment. out-of-pocket to the relationship which the camera has with the character, the audience feels as though they too hurt a bond with the protagonists of the film. By extension then, the characters life bec omes the audiences reality. The brilliance of movies is that there are so many slipway in which to depict varied cultures and for each film there is a chance for the audience particle to exchange, expound, and change their have got perspective in light of the in fashion modelation they are given from the characters lives.It is through this part of the film, the expression of love in its diverse and dynamic multidimensional forms that the viewer is allowed to partake in the film, be hypnotized with the characters and it is this that makes Il Postino an art film, and how it earth- closed stimulatet change an audience members own perspective. Films are not notwithstanding seen as an art form, but they are to a fault used in a cultural scene in order to present to the viewing public historical events. These historical events whitethorn be example to biases such as in propaganda films (D.W. Griffiths Birth of a Nation) or they may present documentaries in which plan objectivism is the point of the film (i. e. Bushs Brain). A film does not however tail endalize the viewer into different cultures but gives the world a chance to see the unfolding of history through the perspective of the muckle who lived through it such as films documenting the effects of Hiroshimas bomb, and the radiation which ensued directly by and by with first person accounts.Therefore the lens of history is unclouded with such unbiased documentaries. Films are in like manner a means of therapy and identification. Some films are so profound in their depiction of a characters life that the audience member completely identifies with that person and a sub-cult forms based on the movie. These sub-cults can be seen with the movies The Godfather, Rocky horror Picture Show, or even Psycho.In these films an audience member can identify or want to encompass the way of life of these characters to such an end that they may go and join the mafia, become transsexual practiceual, or even become a n integral part of the Hitchcock fan base in which pure horror is the objective of the movie, Shots of Gothic manors lit by lightening, of shadows glimpsed under doors, or of a render gliding along a banister, are examples of the spectacular means of horror they are the kind of devices that have been used so often that they have come to define the genre of the horror movie (White The Poetics of Horror 1).Thus, movies go beyond displaying forms of a culture and begin to instigate their own subcultures. More subcultures will form from a movie that is subjective in which the audience member can come closely to identifying with the main character. The objective films in which an to a greater extent omnipresent perspective of the unfolding of the lives of the main characters is not warranted to becoming a sub cultural formation but has its own merits nonetheless.In the way in which the main character Mario lives, in his final act of love for the poet Neruda is found this close perspecti ve of the film. It is not because the film is virtually poetry that makes Il Postino an art film that audience members identify with but rather is it how the characters embrace their own personalities, their own loves and destinies that transforms the film from one of typical romance into great romance. The transformation of these two protagonists is the center of qualification this film art.Their responses to one another, their paradigm of poetry and love of life allow the viewer that voyeuristic sort into the characters reality. This is what art does, this is why the movie is art. Even the final act of Beatrice giving Neruda Marios tape record-keeper is an act of poetry, a final salute the two friends past. The unfolding of their lives becomes a affecting moment in the audience members lives as well since the movie showed a close perspective of the protagonists lives.Films in like manner have a heavy impact on a persons life when the point of the film is to present the audien ce with propaganda, especially during wartime. In the British side, the official labour of the War Propaganda Bureau headed by Lord Northcliffe was to alter the minds of the British into thinking that the wars get hold of was to stop the nearing catastrophe the Germans and their allies created. Indeed, the war was molded in that concept and fed to the people. However, the extent of mid-altering and opinion-swaying came to an extent never before imagined.The meaning of propaganda clearly states that it the most legal way of changing the mindsets and perceptions of people and further a powerful institution can do such a thing, for no individual or government can uphold and spread propaganda without sufficient resources. In the aim of altering or distorting the peoples emotions, a government has to adopt utmost carefulness in order to achieve its close of merging together all the peoples sentiments and turning it into a national mindset.Propaganda is the intentional, organized tra vail to mold perceptions, alter understanding and dictate behavior to garner a response that will coiffe the wishes of the propagandist. War propaganda was born in the cosmos War I. In a war, the side which employs a more powerful and thought-penetrating propaganda despite disadvantage in strength and in number, possesses the innate advantage. This was done to maintain the morale at home and be in perfect synchronization with allies abroad. The British propaganda was the most ranking(a) and was even highly regarded worldwide even by their German foes.Propaganda, as it was utilized in World War I, was the ruination of the human soul. The British were best at doing such defilement. Lumley (1933) stated that propaganda is the intentional reason to affect the minds and emotions of people. On the other hand, the Germans at the start of the war had experienced the culmination of their governments own propaganda, the Spirit of 1914, as German propagandists made the citizens particularl y the elite classes perceives the upcoming war as a means of unifying the peoples of Europe. By the end of the war, the Germans saw it as a distant keeping and a misleading notion.There one could conclude regarding the striking contrasts between the propaganda of Britain and Germany. Germany, as well as the other nations of the Central Powers led its people to believe that the war to be waged was to achieve a frightful cause whilst Britain led its people to see the war as a means to putting a halt to the advance of the German militaristic menace. To guarantee that no additional or unwanted fellowship flowed into the public and for the governments to at least give the people some information just for the sake of intercommunicate them, all sorts of information were filtered.Information media were tight and under scrutiny. Media, like the newspaper for instance, print filtered news that is pass by the government because if otherwise, they will be the subject of penalties. The gove rnment made people read what they only want them to read. For example in Britain, censorship was the key ingredient because newspapers were run by the media barons who were more than ordain to cooperate. They helped print headlines which made emotions of the British civilians surge in anger, depicting Germans in utmost cruelty and see the German leaders as bellicose bullies.Inevitably, across in Western Europe the same was also happening in Germany, where the authorities propagandized the British as sadistic towards their German captives. In all of the countries, propaganda was also behind the altering of casualty figures which were lessened considerably to make the people optimistic of the outcome. Just as films are maneuvered to present a specific and altered point of view during a war, or a film presents the viewer with point of view perspective of a culture, so too does a film bring forth international cultures that reflect a specific country.This view point can be seen in fil ms such as Amelie in which the protagonist searches the film through for a boy who dropped a picture book, and the reflection of quirky natures of the main characters is portrayed and the way in which the French easily testify sexuality in the film (as in the scene where the man works in a sex shop). Films are not only used to portray and represent different cultures to the audience but they may also be used for educational purposes.This goes beyond the scope of sex education films but can also include driving safely videos, or even military outfits gain instruction from a film on how to survive out in the wild. Despite all of the facets that a film may provide for an audience member be it differing views on culture, educational purposes, propaganda, the main purpose, and the one that makes all of the others patently obsolete is that of the movies entertainment value. Audience members attend films in order to escape their own reality for a while, the immerse themselves in another persons perspective, their reality.Thus, movies perform a fail in society of entertainment, of escapism, of fantasy, and that is their main appeal. Works Cited Carrol, Noel. Nightmare and the Horror Film The Symbolic Biology of idle Beings. Film Quarterly. Vol. 34, No. 3. pp16-25. Spring 1981. Cull, N. J. Selling War The British Propaganda Campaign against American Neutrality in World War II. London Oxford University Press. 1997. Il Postino. Blue Dahlia Productions. 1994. White, Dennis L. The Poetics of Horror More than Meets the Eye. Cinema journal Vol. 10, No. 2. pp1-18. Spring 1971.